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John Eric Byers: Squares and Rectangles
March 28 - April 26 at Gallery
NAGA
John Eric Byers, now in his mid-forties, is the most lauded studio
furniture maker of his generation and also perhaps the most active. Focusing
his energy on his studio and choosing not to teach, Byers has produced
scores of private commissions and twenty-one solo exhibitions between
1991 and 2006, including a mid-career retrospective in 2004 at the
Fuller Craft Museum in Brockton, Massachusetts.
His twenty-second show, Squares and Rectangles, which opens
March 28 at Gallery NAGA, presents his newest work, in which the
forms of his wall cabinets, tables, and “carved paintings” are
more than ever reduced to essential geometries and also more than
ever completely covered with complex carving.
The works are both calm and intense - precise, minimalist forms
whose surfaces bristle with the varying colors and light revealed
and reflected by the thousands upon thousands of gouged marks on
every face. Close inspection shows that these marks themselves
describe tiny geometries. On each wall-hung cabinet, on each
small table, carved lines form squares and rectangles that cover
every surface, like sleeve tattoos covering entire arms.
Byers says there are 8,000 to 12,000 squares and rectangles on each
of these pieces, an achievement even more impressive in light of
his two shoulder surgeries in 2005 and 2006, one on each shoulder,
each needing six months of rehab. The time off was buoyed in
part by two 2005 awards, from the New York Foundation of the Arts
and from the Louis Comfort Tiffany Foundation, which had in the past
honored only studio furniture makers quite older than Byers.
He bounced back with two solo shows in 2006, in New York and Philadelphia,
in which the movement toward the present distillation to the simplest, “purest” shapes
began, almost entirely in his buttermilk-and-snow palette. A
2007 carved black painting was presented in a group show at NAGA
and elicited great enthusiasm, which encouraged him to make the dazzling
black furniture that debuts here this month.
A fully illustrated catalog with an essay by NAGA director Arthur Dion
accompanies the show, which runs through April 26. A reception
for Byers, open to the public, will be held at the gallery on Friday,
March 28 from 6 to 8 pm. Images of all the work will also
be available at gallerynaga.com by March 21. |